Posted by Saeed (Tehran, Iran) on 19 March 2008 in Architecture and Portfolio.
Persepolis / Shiraz / Iran SONY DSC - F828 / ISO 64 / 1/250 Sec / F/6.3 / 28mm 22.03.2005
Achaemenid Empire Religion It was during the Achaemenid period that Zoroastrianism reached South-Western Iran, where it came to be accepted by the rulers and through them became a defining element of Persian culture. The religion was not only accompanied by a formalization of the concepts and divinities of the traditional (Indo-)Iranian pantheon but also introduced several novel ideas, including that of free will, which arguably, is Zoroaster's greatest contribution to religious philosophy. Under the patronage of the Achaemenid kings, and by the fifth century BC as the de-facto religion of the state, Zoroastrianism would reach all corners of the empire. In turn, Zoroastrianism would encounter syncretic influences, in particular from the Semitic lands to the west, from which the divinities of the religion would gain astral and planetary aspects and from where the temple cult originates. For in the mid-fifth century BC, that is, during the reign of Artaxerxes I and Darius II, Herodotus wrote "[the Perses] have no images of the gods, no temples nor altars, and consider the use of them a sign of folly. This comes, I think, from their not believing the gods to have the same nature with men, as the Greeks imagine." He claims the Persians offer sacrifice to: "the sun and moon, to the earth, to fire, to water, and to the winds. These are the only gods whose worship has come down to them from ancient times. At a later period they began the worship of Urania, which they borrowed from the Arabians and Assyrians. Mylitta is the name by which the Assyrians know this goddess, whom the Arabians call Alitta, and the Persians Anahita." (The original name here is Miθra, which has since been explained to be a confusion of Anahita with Mithra, understandable since they were commonly worshipped together in one temple). From the Babylonian scholar-priest Berosus, who—although writing over seventy years after the reign of Artaxerxes II Mnemon—records that the emperor had been the first to make cult statues of divinities and have them placed in temples in many of the major cities of the empire (Berosus, III.65). Berosus also substantiates Herodotus when he says the Persians knew of no images of gods until Artaxerxes II erected those images. On the means of sacrifice, Herodotus adds "they raise no altar, light no fire, pour no libations." This sentence has been interpreted to identify a critical (but later) accretion to Zoroastrianism. An altar with a wood-burning fire and the Yasna service at which libations are poured are all clearly identifiable with modern Zoroastrianism, but apparently, were practices that had not yet developed in the mid-fifth century. Boyce also assigns that development to the reign of Artaxerxes II (fourth century BC), as an orthodox response to the innovation of the shrine cults. Herodotus also observed that "no prayer or offering can be made without a magus present" but this should not be confused with what is today understood by the term magus, that is a magupat (modern Persian: mobed), a Zoroastrian priest. Nor does Herodotus' description of the term as one of the tribes or castes of the Medes necessarily imply that these magi were Medians. They simply were a hereditary priesthood to be found all over Western Iran and although (originally) not associated with any one specific religion, they were traditionally responsible for all ritual and religious services. Although the unequivocal identification of the magus with Zoroastrianism came later (Sassanid era, third–seventh c. AD), it is from Herodotus' magus of the mid-fifth century that Zoroastrianism was subject to doctrinal modifications that are today considered to be revocations of the original teachings of the prophet. Also, many of the ritual practices described in the Avesta's Vendidad (such as exposure of the dead) were already practiced by the magu of Herodotus ' time.
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An ancient dramatic image. Excellent.
19 Mar 2008 2:10am
So old, and yet so modern in style, incredible!
19 Mar 2008 7:09am
Wonderful details.
19 Mar 2008 10:10am
cool shot with nice detail
19 Mar 2008 10:32am
These carvings are in such excellent condition for their age . . not much around from our current times that will still be there even next century!
19 Mar 2008 11:44am
beautiful. nice detail. looks like the sun is very bright and hot there.
19 Mar 2008 4:58pm
Excellent image. Great details!
19 Mar 2008 5:10pm
Nice, crisp shot.
19 Mar 2008 8:10pm
Amazing capture, this is so beautifully preserved.
19 Mar 2008 8:27pm
Excellent image again.
19 Mar 2008 9:36pm
greatest plase in the world, axat hame aalian farva'har negahdare shoma bad
19 Mar 2008 10:55pm
@hamidook: Thanks Dear Hamidook :)
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SONY DSC-F8281/250 secondF/7.1ISO 6434 mm
persepolis